Photo Essay: Hemingway's Cojimar in Cuba

Cojimar - A Cuban fishing village used by Hemingway to dock his boat Pilar

Earlier this year my family took our March Break holiday again in Cuba. One of the day-trips I hoped to make whilst there was a second visit to Hemingway's house - Finca Vigia (Lookout Farm) - where he lived for twenty years, between 1939 and 1960. I had been at the house (now a museum)  first in 2010; but I had missed seeing Pilar, his 38-foot Playmate cabin-cruiser boat built by the Wheeler Shipyard in Brooklyn, New York.

 

Hemingway's boat Pilar with the two outriggers fully deployed

I met two fellow-Canadians in Jibicoa, our resort on the north coast of Cuba - located about an hour's drive east of Havana. They were keen, too, to do a Hemingway pilgrimage. Not only did we make a trip together to Finca Vigia, we also moved on from there to the village of Cojimar - a fishing village, where the Hemingways often docked their boat. And on the following day, I returned to Cojimar with my wife and sister-in-law. 

Cojimar

Old cars on Cojimar's main street - Marti Real

Many public buildings have fallen into ruin, because of neglect and an eroding climate

 

What follows are photographs I took on these two visits. The first day was dull and overcast; but the next was hot and sunny - a chance for me to go back there and re-do some shots in bright sunlight. So here they are: some photographs of Cojimar, and some observations about Hemingway's links to this quaint Cuban fishing village.

Cojimar is on the north coast of Cuba, east of Havana, the capital city

Hemingway's house at bottom; Havana at top-left; Cojimar is on the coast, in the middle

Ernest Hemingway used Cojimar as an alternate site for the docking of his fishing-boat Pilar during the 1940s and 1950s. He also used the main harbour in Havana. Cojimar is a small fishing-village on the north-coast of Cuba. It sits about 10 km east of Havana in a bay. The harbour is at the mouth of Rio Cojimar, just before it flows into the protected bay. The village was founded here in the 17th-century, when houses and ranches began to be built around a Spanish fort, Torréon de Cojimar, erected in 1649 as part of the extended fortifications used to protect the coastline near Havana. 

 

The old Spanish fort, Torreon de Cojimar

An invading British army landed here in 1762, on its way to attack Havana. And in 1994 thousands of "rafters", desperate to escape the Castro regime, left from the sheltered waters of its rocky bay, to attempt a treacherous voyage across the Straits of Florida to the United States. Cojimar is on the western side of the bay; on the opposite side is a large housing estate of pre-fab apartments called Alamar - the birthplace of Cuban rap and the site of an annual hip-hop festival.

La Terraza de Cojimar - a restaurant/tavern patronized by Hemingway

The entrance to La Terraza de Cojimar off of Marti Real

After a long day of deep-sea fishing out in the Gulf Stream - which is not too far out from the coast - Hemingway liked to stop by La Terraza de Cojimar. It's a restaurant/tavern on Marti Real - the main street of the village. This was - and still is - the main restaurant and drinking establishment in Cojimar. It was opened in 1925. It soon became well-known; famous international visitors would drop by, and Cuban film stars of the day could be found there.

Barb and Margaret in La Terraza de Cojimar

 

Beautiful wooden bar, shelves, cabinets and ice-boxes at La Terraza de Cojimar

 

Looking towards the front of La Terraza de Cojimar

La Terraza de Cojimar was a favourite haunt of Hemingway's and, as usual with him, he had a favourite corner on the terrace that he always sat in. The proprietors have set up a small bronze bust of the famous writer in that corner. On two long walls in that same room of the restaurant, there is an impressive display of black-and-white photographs of Hemingway in Cojimar.

Hemingway's favourite corner of La Terraza de Cojimar

Hemingway encircled by a marlin

Hemingway was a gregarious and generous man. He liked to spend time here in la Terraza with the local fishermen. He spoke Spanish fluently - having spent most summers in the 1920s in Spain, following the bullfighting season. He would swap tales with the locals about their exploits fishing out on the ocean. Often his first-mate, Gregorio Fuentes, who lived in this village, would be on hand in the tavern.

One of Hemingway's favourite Cuban drinks - the mojito, made with white rum

Also on a Hemingway pilgrimage: friends Richard and Brenda in La Terraza de Cojimar

Cojimar became the model of the fishing village in Hemingway's famous novella The Old Man and the Sea. Many deep-sea fishermen used its harbour as their home base. Cojimar was the site of a famous Great White Shark catch in the 1940s. There is some doubt as to the facts of this catch, but it is considered a contender for the largest Great White Shark specimen of all time. 

Spencer Tracy played Santiago in the Hollywood version of "The Old Man and the Sea"

The fishing story Hemingway tells in this book is based on an incident that he heard about back in 1936. In the late 40s he had started work on "a big book". He often referred to it as his "sea, air and land" trilogy. He toyed with this epic for many years, but eventually had to abandon it. But he did complete much of the first volume - the sea book. It was structured in four sections, set in Bimini and Cuba. The first three sections would eventually be published posthumously as Islands in the Stream (1970) under the control of Hemingway's fourth wife, Mary Welsh Hemingway. Ernest took the plan for the fourth section and re-worked it as a separate piece of fiction - a novella. He had begun serious work on it in 1951, and in an intense six-week spell at the beginning of 1952 he finished it. The book tells the story of Santiago, an old deep-sea fisherman, who had gone 84 days without catching a single fish. He is cared for and supported by a young boy called Manolo. This character is based on the young son of the owner of La Terraza named Mandito. And the old man of the story, Santiago (St. James - the patron saint of Spain) is thought to be based partly on a local fisherman called Anselmo Hernandez, and partly on Hemingway's first mate, Gregorio Fuentes.

Hemingway and Anselmo Hernandez (Santiago?) in La Terraza

Interesting portrait of Gregorio Fuentes on wall of La Terraza de Cojimar

  

 

Gregorio Fuentes - the first mate on Hemingway's boat Pilar - here in Cojimar

A friend of Hemingway's, Leland Hayward, read the manuscript of the finished novella. He loved it; and he advised Hemingway to try to get it published in a national magazine like Life or Look. Ernest followed his advice, and he eventually got Life to pick up the option to publish. They decided to publish it in a single edition, with a portrait of Hemingway on the front cover. 

Famed photographer Alfred Eisensstaedt was dispatched to Cuba to get some photographs of the author. It turned into a major ordeal for Eisensstaedt - the most difficult photo shoot of a celebrity that he had ever encountered. Hemingway must have been in one of his "black-ass" periods - a phase of serious depression. The photographer recalled the unpleasant experience many years later. He said that, instead of the fellow-artist and man of letters that he expected to deal with, he was having to cope with a "thoroughly disagreeable, paranoid, booze-sodden lunatic". Most of his conversation was peppered with obscenities; and Hemingway would erupt into violent rages over some minor slights - some of them real, but many imagined. 

 

Alfred Eisensstaedt portrait of Ernest Hemingway on a walk in Cojimar

But Eisensstaedt did manage to get a few serviceable images, after he followed Hemingway on a walk through Cojimar. And the eventual portrait that was used on the magazine cover was a rather riveting, revealing image of the 52-year-old writer.

Alfred Eisensstaedt's front-cover portrait of Hemingway

Life magazine published The Old Man and the Sea on Labour Day - September 1, 1952. The story filled twenty pages. 5,000,000 copies went out on sale; the entire run was sold out in two days! Six days later his book publisher, Scribners published a first edition hardcover release of 50,00 copies. They agreed a very generous royalty of 20% for sales beyond the first 25,000 copies. 

And the Book-of-the-Month Club selected it as a featured title; they published 153,000 copies. The novella spent 26 weeks on the best-sellers list. By the end of the year it had been translated into nine different European languages. In 1953 The Old Man and the Sea was awarded the Pulitzer Prize for Fiction. And the Nobel Committee cited the work as a contributing factor in their decision to award Hemingway the Nobel Prize for Literature in 1954.

Santiago and Manolo take equipment up to the old man's hut

On the third page of the book, the old man and the boy are sitting on "the Terrace" [La Terazza de Cojimar] and "many of the fishermen made fun of the old man and he was not angry. Others, of the old fishermen, looked at him and were sad. But they did not show it and they spoke politely about the current and the depths they had drifted their lines at and the steady good weather and of what they had seen." It was a familiar topic of discussion for Hemingway and his friends in the Cojimar tavern.

The display of Hemingway photographs taken in Cojimar in La Terraza de Cojimar

When I took a close look at the impressive collection of black-and-white photographs of Hemingway (unfortunately I don't remember the name of the photographer, but I'm trying to find it on the internet!) taken by a Cuban photographer right in Cojimar, I noticed in the background of one of them the neo-classical monument that stands next to the old Spanish fort, Torréon de Cojimar.

Note the monument behind Hemingway's left arm

I don't know if there was something displayed originally in the centre of this circular, colonnaded memorial, but in 1962 - just one year after Hemingway's death by suicide in Ketchum, Idaho - a group of his Cuban friends and fellow-fishermen in Cojimar got together and collected old pieces of metal from around the village: chain links, propellers, anchors, and so on. These remnants were then fashioned into a bust of Ernest Hemingway by Cuban sculptor Fernando Boada Marten.

Hemingway friends who organized the Hemingway monument (Fuentes third from left)

A pretty good  likeness of the great man - the Hemingway Monument in Cojimar

After checking out the old fort, the Hemingway Monument, and la Terraza de Cojimar, one can finish one's stay in the village, as we did, by strolling around some of the back-streets. It's interesting to see the styles of the houses and the materials from which they are built. There are also the ubiquitous 1940s and 1950s American cars beside many of the local homes. 

Cojimar back street

Cojimar parish church

Cojimar house

We enjoyed a half-hour walk - eventually working our way back to the taxi we had rented, sitting in the driveway beside La Terraza. It was interesting visiting this former Hemingway haunt. I recommend it to anyone keen to follow the great man's footsteps in Cuba. It's out of the way of the usual spots in Havana, but much quieter, therefore, and more comfortable in the gentle afternoon breeze.

Resources: 
Hemingway's Boat by Paul Hendrickson (2011); 
Lonely Planet Cuba (2011); Hemingway: The Final Years by Michael Reynolds (1999)

Photographs © Clive W. Baugh

(using a Nikon D7000 with a Nikkor 18-105 mm zoom lens)

 

Photo Essay: Pilar - Hemingway's Boat at Finca Vigia in Cuba

Pilar, Hemingway's cabin cruiser - its final resting place at Finca Vigia in Cuba

Ernest Hemingway aboard Pilar in Key West, Florida (1934 or 1935)

This past March Break our family was back in Cuba. It was our fourth visit to the Cameleon resort in Jibicoa - along the coast some 45 minutes east of Havana. 

We had done many of the organized day-trips from Jibicoa on previous occasions, some of them two or three times. What I particular hoped to do on this visit was to go back to Finca Vigia (Lookout Farm), the former home of Ernest Hemingway (1940-1961). The Hemingways bequeathed it to the Cuban government, with the understanding that it would be turned into a museum devoted to the famous and influential writer, who was also revered on the Caribbean island that had become his home for the last two decades of his life. 

Undated photo of Hemingway at the south-west corner of Finca Vigia in Cuba

I had been to the museum back in 2010, during our first trip to Cuba, but that turned out to be a rather rushed visit. The rest of my family had no interest - the children had no knowledge of the author, and my wife is hostile to the man. I got to see the house and, by leaning in through the doors and windows, I was able to get some excellent views of most of the rooms in the ranch-styled dwelling. Here is a link to the blog post I wrote in February, 2012 which documents that original trip.

Because of the rush imposed by the rest of my family back in 2010, I didn't get the chance to wander around the property. And it upset me to discover later that Hemingway's pool and, more importantly, his fishing boat Pilar was but 100 yards from the house - and I missed it. The desire to see the boat, perched on concrete blocks beneath a carport-styled protective roof, became even stronger after reading Hemingway's Boat  a couple of years ago. This excellent book, by Paul Hendrickson, was published in 2012. It tells the story of Hemingway's life by focusing on his love of fishing and providing a full account of the boat he bought in the mid-30s, and the adventures he got up to plying the waters of the Gulf Stream ("the great blue river"), just off the northern coast of Cuba. I had to get back to Finca Vigia to see Pilar up close. But I knew the rest of my family would not be interested in joining me. This would be a solitary pilgrimage - or so I thought.

Richard and Brenda at Finca Vigia

A day or two into our stay at Jibicoa, I was waiting patiently to talk to the Nolitours representative, Roberto, about options for getting to Finca Vigia by myself. I was thinking of taking an official taxi (parked just outside the resort), or of finding a freelance driver to do the job - perhaps the same guy who had taken us to Havana in 2013. As I was waiting, I overheard the couple sitting at Roberto's desk ask him about the chance to visit the Hemingway Museum. Not shy in this sort of situation, I jumped in to explain that I, too, was a keen fan of the author and wanted to get to his former home. Within an hour all the plans were made. My brand new 'Hemingway friends', Richard and Brenda, had agreed to split costs and collaborate on a visit to Finca Vigia, on the outskirts of Havana - plus a trip as well to the village of Cojimar, where Hemingway often docked his boat. Cojimar is the model for the fishing village described in The Old Man and The Sea.

A confident fisher already - Hemingway (aged 5) near Horton's Bay in Upper Michigan

Freshwater fishing in 1916 (aged 17)

Ernest Hemingway learned his love of the outdoors from his father, who introduced him to hunting and fishing during their annual summer vacations at their cottage on Walloon Lake in Upper Michigan. Hemingway was fishing every summer until his early twenties, when he and his wife moved to Paris. During his European years (most of the 1920s) he did only a bit of fishing, but it wasn't until he moved to Key West, Florida, in the early 30s, that his interest in fishing switched from freshwater fishing in lakes and rivers to deep-sea ocean fishing from a fully-equipped cabin cruiser.

There were two friends of Hemingway's in Key West who got him hooked on deep-sea fishing. One was Charles Thompson, the owner of a hardware store. Hemingway had known him since his first visit to Key West in 1928. Thompson had an old-fashioned 19' boat; he took Hemingway out fishing in it on day-trips. Later, when Ernest settled in the town, he met Joe Russell, who ran a bar there called Sloppy Joe's. He had reputedly been a long-time "rum-runner" from Cuba. He used to sell rum to Hemingway in the early 30s - the final years of America's Prohibition era. Russell had an impressive 34' cabin cruiser called Anita. It was from this boat that he introduced Hemingway to marlin fishing. 

Hemingway (far left) on Joe Russell's cabin cruiser Anita in Key West (1933)

In April 1932 Russell took Charles Thompson, Hemingway, Hemingway's cousin Bud White, and a couple of others out on a fishing trip - over towards Cuba. The original plan was for a relaxing two weeks of fishing. But it turned into a two-month extended marathon of fishing focused exclusively on marlin. Hemingway became obsessed with the hunt for these huge and majestic fish. In his first couple of years of serious Marlin fishing, he caught 91 of them.

Hemingway proudly displays a marlin trophy in Havana Harbour (July, 1934)

When Ernest and Pauline Hemingway did a two-month safari in East Africa in January and February of 1934, they were accompanied by Key West friend Charles Thompson. He and Hemingway must have spent a good deal of time talking about their deep-sea fishing exploits; because when they got back to the U.S. in April, Hemingway had made up his mind to buy his own cabin cruiser. He had done his research, and his heart was set on getting a Wheeler boat. He had previously contacted the Wheeler Shipyard - located in Brooklyn - the previous year; and they had sent him by mail a brochure of their boats from the 1933 model year. In his book Hemingway's Boat, Hendrickson quotes boat historian Anthony Mollica describing Wheeler boats: "A Wheeler is a Packard. A prewar Packard. Big and strong and comfortable and sturdy. Beamy. Sea-kindly. Very well thought out. Extremely well made".

 

Pilar was built by the Wheeler Shipyard in Brooklyn, New York in 1934

The catalogue price for this boat was $7,000. Hemingway had $3,500 to hand. How to pay for it? Hemingway had a scheme in mind. He had met magazine publisher Arnold Gingrich in New York in January, 1933. Since then, Gingrich had been at work planning a new magazine for men called Esquire. He had been lobbying Hemingway to write for his new publication - he was particularly keen to have him featured in the debut issue. Hemingway contacted Gingrich and proposed a deal: if Gingrich gave him an advance of $3,500, he promised to submit regular articles for the magazine, until the debt was paid off. Gingrich agreed. The deal worked to their mutual benefit; Hemingway got his boat, and the first issue of Esquire - which featured a piece by Hemingway about marlin fishing - sold 100,000 copies.

Ernest Hemingway visited Wheeler's Shipyard in Brooklyn in early April, 1934. He ordered a 38' twin Playmate cabin cruiser. These were stock boats, but he asked for a number of modifications: he wanted a black hull, instead of the standard white; he also had copper screens added to enclose part of the cockpit. The main power to the boat would be supplied by a 75 horse-power Chrysler Crown reduction gear motor - this would provide a cruising speed of 16 knots. The smaller trolling motor would be a 40 horse-power Lycoming, providing 5 knots. 

The rear of Pilar showing the fighting chair

The name to be painted to the rear and sides of the boat was Pilar of Key West. The name came from a shrine and feria in Saragossa, Spain that celebrates Nuestra Señora del Pilar - Our Lady of the Pillar. A feria is an annual feast that takes place in southern France and Spain, which features bull-fighting. Pilar had been a secret nickname that Pauline and Ernest had used for her when they began their adulterous affair in 1926. Hemingway also pointed out later that if he had ever had a daughter [he had three sons], he would have called her Pilar. In his 1940 novel about the Spanish Civil War, For Whom The Bell Tolls, Hemingway includes a character called Pilar: she is the part-gypsy partner of Pablo, the leader of the guerrilla band that Robert Jordan teams up with in the mountains. She is an admirable character - an earth-mother type, who serves as the steadfast centre of the guerrilla camp.

Richard beside Pilar

It took about five weeks for Hemingway to get his boat. When it was finished, employees of the Wheeler Shipyard sailed Pilar down to Miami. Hemingway met them there, paid off the balance he owed of about $4,500, and then piloted the boat down to Key West - arriving on May 12, 1934. Generally, Pilar was docked in the Key West harbour - just a ten-minute walk away from his house on Whitehead Street.

The starboard side of Pilar

Hemingway made his first crossing to Cuba with the Pilar on July 19, 1934. It's about 90 miles due south of Key West. Travelling at an average speed of 10 knots, Pilar could get to Havana in about a day's sailing. But, on that first trip down, the water pump to the main engine broke about three miles off the Cuban coast, and the Chrysler Crown motor began to overheat. Hemingway switched to the much slower trolling motor - taking two hours to cover a stretch that normally would have lasted twenty minutes.

Pauline (Hemingway's second wife), Ernest and his three boys in Bimini (1935)

During the first few years of his adventures with the Pilar, Hemingway did most of his deep-sea fishing in Bimini (a small collection of islands on the western edge of the Bahamas). He lived in Bimini from mid-April to mid-August 1935, and spent a lot of time there during the fishing seasons of '36 and '37. In those years, Hemingway wasn't focused exclusively on marlin. He fished a wide variety of other species: swordfish, tuna, sailfish, kingfish, snook, tarpon, wahoos, barracuda, bonito, mako shark, etc. He developed a special interest in the blue-fin tuna, and is reputed to be the first angler to land whole and clean one of these huge tunas - all previous attempts, apparently, failed because sharks would attack and mutilate the fish after they had been snagged on the hook. Hemingway's specimen was 381 pounds, and it took him 70 minutes to tire it, pull it in, and hoist it onto his boat - across a large wooden roller onto the specially-designed low-cut stern.

Hemingway deep-sea fishing on the Pilar in 1934

In his book Hemingway's Boat Paul Hendrickson gives a detailed description of Pilar (pages 138-141). It was 38 feet long and had a 12 feet beam (its width at the broadest point). The cabin sides and deck were built of Canadian fir and Honduran mahogany. The cockpit at the rear of the boat could fit seven or eight people quite comfortably; there were two long cushioned bunks for lounging on, and small seats could be added during meals. A small table was stowed a few feet behind the wheel; it would be fixed on two outer legs. In the middle of the rear deck was the "fighting chair". It had a ladder-styled slat-back and leather-cushioned arm rests. This chair was bolted firmly to the deck and rotated 360°. 

Pilar could hold six people in the sleeping compartments and two more in the open-air cockpit (which featured roll-down canvas sides and copper screens, to help keep away the bugs at night). Access to the sleeping compartment, forward of the cockpit, was through a half door and companionway. There were upper and lower berths, a tight toilet and a cubbyhole galley for fixing meals. 

Loaded for a cruise, Pilar had a compartment that held 2,400 pounds of ice, in order to cool fresh fruits and vegetables - the avocadoes and mangos, for example - and preserve the captured fish over many days. The ice was also important to cool the beer and wine, and to add to the many daiquiris and mojitos! Hemingway also stored 100 gallons of drinking water.

The port side of Pilar

Although it could cruise easily at 16 knots, Hemingway usually sailed Pilar at 10 knots, in order to save gas. The boat had a 300-gallon capacity fuel tank. But he could store another 100 gallons in portable drums that fit in a forward compartment. If he was busy fishing, rather than covering a long distance, Hemingway would switch to the Lycoming trolling motor - he could troll all day with that motor, and only eat up 10 gallons of fuel.

Hemingway on Pilar's flying bridge

Pilar was an impressive sight on the water. It rode low and long, with a shiny black hull and a handsome green canvas roof and topside. When Hemingway sailed her out of harbour (Havana or Cojimar) in the early mornings, he liked to stand on the top deck - the flying bridge. This flying bridge was added in 1937. It had a second set of duplicate controls for the engines - throttles and levers which came up over the cockpit via several metal pipes. When he wasn't up on the flying bridge - which gave him a  better view of the surrounding waters - he was usually at the helm, on the port-side of the cockpit, or taking a nap on one of the cushioned benches. The helm consisted of a lighted binnacle, which held a compass, a wheel and various engine controls.

Fishing from the Pilar for marlin became Hemingway's main hobby and recreation. Once he had discovered the thrill of fishing for these giant fish - they could be anywhere between 50-1200 pounds in size - nothing else would do. He also loved to share the sport with others; and, over the 27 years he had Pilar, he welcomed hundreds of people onto his boat - sharing his knowledge and enthusiasm, and tutoring neophytes in the basics of deep-sea angling. To get a sense of what it was like to fight one of these giant marlins, read Hemingway's epic thirty-page account of such a struggle in the "Bimini" section of his posthumous novel Islands in the Stream (1970). 

Hemingway (right) and Joe Russell in Havana Harbour in 1932

Hemingway usually had a "first mate" with him on board - to help with the sailing, but also to serve as a general factotum: fixing drinks, cooking meals, and providing company. The first man to play this role was Carlos Gutiérrez - a commercial smack-fishing captain in his fifties. Hemingway had met this Cuban fisherman back in April, 1932 during the two-month marathon of marlin-fishing he had undertaken with Charles Thompson and Bud White. He had been much impressed - and hired him initially to serve as first mate for the rest of that first summer with Pilar (1934). Guitiérrez was replaced in 1938 by another experienced Cuban - Gregorio Fuentes. This native Canary Islander - then 41 years old - would work loyally as first mate for Hemingway for the rest of Hemingway's time in Cuba (until 1961). He died in 2002, at the age of 104.

Hemingway and Carlos Gutierrez on the Pilar in 1934

After Hemingway's death in 1961, Fuentes often claimed that he had been bequeathed Pilar. This was confirmed by Mary Welsh Hemingway, the author's fourth and final wife: she wrote in August 1961, just two months after Ernest's suicide, that Hemingway had left her instructions - in a letter that accompanied the will - to give Pilar to Fuentes. But, as Hendrickson points out, this conflicts with a letter she wrote in February, 1964, in which she said: "We are letting Pilar rot away in Cuba because I know Papa couldn't bear the thought of anyone else being her commander". And, then, in her autobiographical book about her life with Ernest, How It Was, she says she came back to their Cuban home, Finca Vigia, and told Fuentes to "take her [Pilar] out and sink her in the current [the Gulf Stream]." That, of course, didn't happen. She then claims that "the Cubans used Pilar as a workboat for a while, and then installed her (poor thing) as an exhibit on the Finca lawn, so I was told."

Hemingway's loyal "first mate" Gregorio Fuentes (right)

In 2005 someone showed author Paul Hendrickson a two-page document which said that Fuentes had kept Pilar in the harbour at Cojimar, until he decided to give it to the government. It was moved from the fishing village (Gregorio's home) up to Finca Vigia, to serve - apart from the house itself - as the museum's main exhibit.

My new 'Hemingway friends' - Richard and Brenda - and I reached Finca Vigia at 10 a.m. on March 13, 2014. The place is now known as Museo Hemingway. It is perched on the top of a hill in a suburb of Havana called San Francisco de Paula. Back in Hemingway's time it was way out in the country, about nine miles south of the capital; now it is part of the sprawling, suburban shantytown radiating out from the densely-populated city. 

After paying our entrance fee, we got back in the taxi and it delivered us up the sloping hill to the parking lot next to the souvenir shop. We walked over to the house. Everything was as I remembered it, but there were a lot more people about than on my previous visit. The sun was out - which was a relief; it had been threatening to rain all morning. I wanted good light for my photographs. 

One result of the impending downfall was that the staff at the museum had closed up all the doors and windows. Even though entry into the house is forbidden, they normally have most of the doors and windows wide open, so that you can lean into the building and take as many photographs as you wish. Today, I had to wait for a couple of understanding guards to open a window here, and a door there, for a minute or two, whilst I quickly snapped some photos of the interior. This wasn't too disappointing for me because I got plenty of good pictures of the house on my previous visit in 2010.

A view of Finca Vigia from the south - the tower is partly hidden on the left

 At the back of the house, just off its north-west corner, sits a three-storey tower. It was built for Hemingway by his fourth wife, Mary Welsh; she intended it as a quiet retreat, where Ernest could do his daily writing in the morning and early afternoon. Hemingway didn't like the too-solitary feel of the place. He preferred to write in his bedroom - standing up at his typewriter. The tower was abandoned primarily to the large crowd of cats that roamed the property.

At the top of the tower

It was from the landing at the top of the tower stairs that I got my first glimpse of the swimming pool and boat through the trees to the west. They lay about 100 metres from the house. We walked in their direction via a long path of paving stones - the path edged by a thin, intermittent  curtain of bamboo. 

The swimming pool at Finca Vigia

 The old-fashioned, concrete, in-ground pool is huge. It was empty of water, coated with pale-blue paint. It looked to be about 10-12 high at the deep-end. On either corner of the pool - at the shallow end - are a couple of outhouses; these, presumably were his-and-hers changing rooms for visiting guests. Ava Gardner didn't bother - she swam naked alone in the pool during one of her visits to Finca Vigia in the 1950s.

The Pilar rests perched on sets of concrete blocks just a little way beyond the pool. It sits where the tennis court used to be. There is a large corrugated plastic roof about twenty feet above the boat, protecting it primarily from the glaring mid-day sun. It is like a huge carport, open to the wind and rain. The boat has lost all of its varnished, shiny glory. It is coated in grime and the brass and copper fittings are corroded and slowly turning green. Do they provide occasional renovation to the boat? I don't know. When I was there, it certainly looked in need of some tender loving care.

Hemingway's pet cemetery beside the Pilar

On the southern side of the boat, between it and the pool, are a row of four small tombstones; they mark the graves of some of Hemingway's favourite pets - including Black, a stray dog he adopted in the U.S., and brought back to Cuba.

Back at the house, I got some more photographs looking at the house and tower from the grounds on the southern side of the property. Richard and Brenda walked over to the souvenir shop. I hung around near the front door. I wanted to get some good shots of the entry into the house - which I had failed to get on my previous visit. I set my tripod up and waited. I got some good shots of a small group of women clustered tightly on the threshold. Then a few of me standing alone, ringing the large "doorbell". I yanked on the rope, thinking: For whom the bell tolls; for me and thee. Then as I vacated the steps in front of the house, one of the many neighbourhood dogs that roam the place came over and dropped comfortably there, near the entrance, as though he owned the place.  

... it tolls for thee - and me!

Hemingway on the flying bridge

Hemingway fans visiting the Havana-area of Cuba for the first time must visit Finca Vigia. It really is inspiring. For more about the house - including some good shots of the interior, check out my previous blog post from February, 2012.

Hemingway enthusiasts might also consider checking out my photo essay about Hemingway's life in Paris in the 20s, published in October, 2013.

Resources: Most of the technical details about Pilar come from Paul Hendrickson's excellent book Hemingway's Boat: Everything He Loved in Life, and Lost, 1934-1961 (published in 2012); other background on Finca Vigia from Hemingway: The Final Years, the fifth volume of Michael Reynolds superb biography; the book by Mary Welsh Hemingway (his fourth wife) is How It Was (published in 1976).

Photographs © Clive W. Baugh

(using a Nikon D7000 with a Nikkor 18-105 mm zoom lens)

Pilar leaving Havana Harbour with outriggers already deployed; Hemingway is at the helm, on the flying bridge; Mary Welsh Hemingway follows in her launch Tin Kid