Tuesday, 23 September 2014

Photo Essay: Plockton in Scotland

Plockton in the North-West Highlands of Scotland

With the Scottish referendum looming during the last couple of months, I have been reminiscing recently about my family's visit to Scotland back in 2006. Although I grew up in England, and spent my first 16 years there, I had never been north of the border; it's a long way from the south-coast, where we lived - near Southampton - and to which we stuck for our holidays and weekend outings.

A view of the main street, Harbour Street, across the beach

The pebble beach at Plockton

During our trip to Scotland in 2006 we focused on two major destinations: we experienced urban life in Edinburgh, the Scottish capital; and then we drove north into the North-West Highlands for a five-day stay on the Isle of Skye.

Mallaig ferry (near left-middle) sails to Skye ; the Skye road bridge near top-left

Before the Skye Bridge was built (it opened in 1995) the only way to get to the island with a vehicle was to take a ferry. Your choice was to sail either from Mallaig on the mainland across the Sound of Sleat to Armadale in the Sleat Peninsula of Skye, or to take the ferry from the village of Kyle of Lochalsh to Kyleakin on the eastern tip of Skye. 

Looking back at the Skye bridge from above Kyleakin

When you had to take a ferry in the busy tourist season, it was often a long wait in Kyle of Lochalsh. Now you can drive up from Fort William via the A82 and A87, and cross Loch Alsh directly into Skye on the bridge.

Harbour Street

The bay at Plockton, leading out to Loch Carron

One of the day-trips we planned for this sojourn in Skye was a trip to the highly-picturesque village of Plockton. It was a long drive from the cottage we had rented near Portree, in the north-west corner of the island. We had to drive back to Kyle of Lochalsh (about an hour to cover the 65 km) and then north about 10 km on a narrow "minor" road to Plockton. The photographs in this post were all taken during our visit there in July, 2006.

Why take all of that trouble to get to a remote village, when there are plenty of picturesque places on Skye? Actually, Plockton is especially attractive; but, more importantly, it was the village used for location-shooting for the TV comedy-drama series Hamish Macbeth

Barb and I loved this series, which starred Robert Carlyle as the sole policeman in the remote community of "Lochdubh" (Plockton is its stand-in). Hamish Macbeth - based loosely  on a series of mystery novels by M.C. Beaton - was made by BBC Scotland between 1995-1997; its three seasons consisted of  20 episodes.

Carlyle plays the title character, Hamish Macbeth - a policeman who loves the situation he is in; he does everything he can to avoid being transferred or promoted. His approach to policing is that of a true "peace-officer". He always looks for ways to smooth things over and avoid conflict; instead of exercising the "long arm of the law", he tends to turn a blind eye to some of the questionable activities of the community's many quirky residents. The series is amusing and the tone often veers towards the ironic and the surreal.  And the gorgeous outdoor scenery adds to its off-beat appeal. 

Robert Carlyle played Hamish Macbeth on BBC Scotland series (1995-1997)

Plockton is located on a sheltered bay off of Loch Carron in the Western Highlands. It has a population of about 400. It used to be primarily a fishing and crofting community. Most of the houses are of the whitewashed cottage style - built in the 19th and 20th centuries. Plockton has a surprisingly mild climate, despite the northern latitude. It faces away from the prevailing westerly winds and feels the effects of the North Atlantic Drift. There are palm trees growing on Harbour Street, the village's main street. 

Palm tree on Harbour Street

Colin, Barb and Gillian in Plockton (2006)

We walked down Harbour Street, with the water on our right. Then we climbed down onto the narrow beach and walked to the end of a nearby promontory. In the calm waters we could see jellyfish floating beside a small boat. There were several of them - each of a different hue. We made our way back to Plockton's main street; Gillian and Colin (then aged 9 and 8, respectively) searched amongst the detritus on the beach for interesting shells and pebbles.

Seaweed festoons the rock and beach at Plockton

Searching for shells and interesting pebbles at Plockton

We stopped for lunch in The Plockton Hotel. I tried a bottle of ale from a local micro-brewery on Skye. And then enjoyed my first taste of Cullen Skink - a delicious soup made from smoked haddock, potatoes, onions and milk.

Further down Harbour Street we found a craft shop in the building that was used in Hamish Macbeth as Rory Campbell's grocery shop. I spent a few minutes browsing inside - checking out the postcards and souvenirs. 

This corner shop was used as Rory Campbell's grocery shop in Hamish Macbeth

And soon we were back in our rented car and heading south to Kyle of Lochalsh and then across the bridge back to Skye. 

Barbara on Harbour Street

Yours truly on Harbour Street

If you're visiting Skye, Plockton is worth a side-trip. Even if you're unfamiliar with Hamish Macbeth, you will enjoy its incredible charm.

A final gaze at Plockton

Photographs © Clive W. Baugh
(using a Nikon D50 with a Nikkor 18-105 mm zoom lens)

Saturday, 20 September 2014

Photo Essay: Hemingway's Cojimar in Cuba

Cojimar - A Cuban fishing village used by Hemingway to dock his boat Pilar

Earlier this year my family took our March Break holiday again in Cuba. One of the day-trips I hoped to make whilst there was a second visit to Hemingway's house - Finca Vigia (Lookout Farm) - where he lived for twenty years, between 1939 and 1960. I had been at the house (now a museum)  first in 2010; but I had missed seeing Pilar, his 38-foot Playmate cabin-cruiser boat built by the Wheeler Shipyard in Brooklyn, New York.

Hemingway's boat Pilar with the two outriggers fully deployed

I met two fellow-Canadians in Jibicoa, our resort on the north coast of Cuba - located about an hour's drive east of Havana. They were keen, too, to do a Hemingway pilgrimage. Not only did we make a trip together to Finca Vigia, we also moved on from there to the village of Cojimar - a fishing village, where the Hemingways often docked their boat. And on the following day, I returned to Cojimar with my wife and sister-in-law. 


Old cars on Cojimar's main street - Marti Real

Many public buildings have fallen into ruin, because of neglect and an eroding climate

What follows are photographs I took on these two visits. The first day was dull and overcast; but the next was hot and sunny - a chance for me to go back there and re-do some shots in bright sunlight. So here they are: some photographs of Cojimar, and some observations about Hemingway's links to this quaint Cuban fishing village.

Cojimar is on the north coast of Cuba, east of Havana, the capital city

Hemingway's house at bottom; Havana at top-left; Cojimar is on the coast, in the middle

Ernest Hemingway used Cojimar as an alternate site for the docking of his fishing-boat Pilar during the 1940s and 1950s. He also used the main harbour in Havana. Cojimar is a small fishing-village on the north-coast of Cuba. It sits about 10 km east of Havana in a bay. The harbour is at the mouth of Rio Cojimar, just before it flows into the protected bay. The village was founded here in the 17th-century, when houses and ranches began to be built around a Spanish fort, TorrĂ©on de Cojimar, erected in 1649 as part of the extended fortifications used to protect the coastline near Havana. 

The old Spanish fort, Torreon de Cojimar

An invading British army landed here in 1762, on its way to attack Havana. And in 1994 thousands of "rafters", desperate to escape the Castro regime, left from the sheltered waters of its rocky bay, to attempt a treacherous voyage across the Straits of Florida to the United States. Cojimar is on the western side of the bay; on the opposite side is a large housing estate of pre-fab apartments called Alamar - the birthplace of Cuban rap and the site of an annual hip-hop festival.

La Terraza de Cojimar - a restaurant/tavern patronized by Hemingway

The entrance to La Terraza de Cojimar off of Marti Real

After a long day of deep-sea fishing out in the Gulf Stream - which is not too far out from the coast - Hemingway liked to stop by La Terraza de Cojimar. It's a restaurant/tavern on Marti Real - the main street of the village. This was - and still is - the main restaurant and drinking establishment in Cojimar. It was opened in 1925. It soon became well-known; famous international visitors would drop by, and Cuban film stars of the day could be found there.

Barb and Margaret in La Terraza de Cojimar

Beautiful wooden bar, shelves, cabinets and ice-boxes at La Terraza de Cojimar

Looking towards the front of La Terraza de Cojimar

La Terraza de Cojimar was a favourite haunt of Hemingway's and, as usual with him, he had a favourite corner on the terrace that he always sat in. The proprietors have set up a small bronze bust of the famous writer in that corner. On two long walls in that same room of the restaurant, there is an impressive display of black-and-white photographs of Hemingway in Cojimar.

Hemingway's favourite corner of La Terraza de Cojimar

Hemingway encircled by a marlin

Hemingway was a gregarious and generous man. He liked to spend time here in la Terraza with the local fishermen. He spoke Spanish fluently - having spent most summers in the 1920s in Spain, following the bullfighting season. He would swap tales with the locals about their exploits fishing out on the ocean. Often his first-mate, Gregorio Fuentes, who lived in this village, would be on hand in the tavern.

One of Hemingway's favourite Cuban drinks - the mojito, made with white rum

Also on a Hemingway pilgrimage: friends Richard and Brenda in La Terraza de Cojimar

Cojimar became the model of the fishing village in Hemingway's famous novella The Old Man and the Sea. Many deep-sea fishermen used its harbour as their home base. Cojimar was the site of a famous Great White Shark catch in the 1940s. There is some doubt as to the facts of this catch, but it is considered a contender for the largest Great White Shark specimen of all time. 

Spencer Tracy played Santiago in the Hollywood version of "The Old Man and the Sea"

The fishing story Hemingway tells in this book is based on an incident that he heard about back in 1936. In the late 40s he had started work on "a big book". He often referred to it as his "sea, air and land" trilogy. He toyed with this epic for many years, but eventually had to abandon it. But he did complete much of the first volume - the sea book. It was structured in four sections, set in Bimini and Cuba. The first three sections would eventually be published posthumously as Islands in the Stream (1970) under the control of Hemingway's fourth wife, Mary Welsh Hemingway. Ernest took the plan for the fourth section and re-worked it as a separate piece of fiction - a novella. He had begun serious work on it in 1951, and in an intense six-week spell at the beginning of 1952 he finished it. The book tells the story of Santiago, an old deep-sea fisherman, who had gone 84 days without catching a single fish. He is cared for and supported by a young boy called Manolo. This character is based on the young son of the owner of La Terraza named Mandito. And the old man of the story, Santiago (St. James - the patron saint of Spain) is thought to be based partly on a local fisherman called Anselmo Hernandez, and partly on Hemingway's first mate, Gregorio Fuentes.

Hemingway and Anselmo Hernandez (Santiago?) in La Terraza

Interesting portrait of Gregorio Fuentes on wall of La Terraza de Cojimar
Gregorio Fuentes - the first mate on Hemingway's boat Pilar - here in Cojimar

A friend of Hemingway's, Leland Hayward, read the manuscript of the finished novella. He loved it; and he advised Hemingway to try to get it published in a national magazine like Life or Look. Ernest followed his advice, and he eventually got Life to pick up the option to publish. They decided to publish it in a single edition, with a portrait of Hemingway on the front cover. 

Famed photographer Alfred Eisensstaedt was dispatched to Cuba to get some photographs of the author. It turned into a major ordeal for Eisensstaedt - the most difficult photo shoot of a celebrity that he had ever encountered. Hemingway must have been in one of his "black-ass" periods - a phase of serious depression. The photographer recalled the unpleasant experience many years later. He said that, instead of the fellow-artist and man of letters that he expected to deal with, he was having to cope with a "thoroughly disagreeable, paranoid, booze-sodden lunatic". Most of his conversation was peppered with obscenities; and Hemingway would erupt into violent rages over some minor slights - some of them real, but many imagined. 

Alfred Eisensstaedt portrait of Ernest Hemingway on a walk in Cojimar

But Eisensstaedt did manage to get a few serviceable images, after he followed Hemingway on a walk through Cojimar. And the eventual portrait that was used on the magazine cover was a rather riveting, revealing image of the 52-year-old writer.

Alfred Eisensstaedt's front-cover portrait of Hemingway

Life magazine published The Old Man and the Sea on Labour Day - September 1, 1952. The story filled twenty pages. 5,000,000 copies went out on sale; the entire run was sold out in two days! Six days later his book publisher, Scribners published a first edition hardcover release of 50,00 copies. They agreed a very generous royalty of 20% for sales beyond the first 25,000 copies. 

And the Book-of-the-Month Club selected it as a featured title; they published 153,000 copies. The novella spent 26 weeks on the best-sellers list. By the end of the year it had been translated into nine different European languages. In 1953 The Old Man and the Sea was awarded the Pulitzer Prize for Fiction. And the Nobel Committee cited the work as a contributing factor in their decision to award Hemingway the Nobel Prize for Literature in 1954.

Santiago and Manolo take equipment up to the old man's hut

On the third page of the book, the old man and the boy are sitting on "the Terrace" [La Terazza de Cojimar] and "many of the fishermen made fun of the old man and he was not angry. Others, of the old fishermen, looked at him and were sad. But they did not show it and they spoke politely about the current and the depths they had drifted their lines at and the steady good weather and of what they had seen." It was a familiar topic of discussion for Hemingway and his friends in the Cojimar tavern.

The display of Hemingway photographs taken in Cojimar in La Terraza de Cojimar

When I took a close look at the impressive collection of black-and-white photographs of Hemingway (unfortunately I don't remember the name of the photographer, but I'm trying to find it on the internet!) taken by a Cuban photographer right in Cojimar, I noticed in the background of one of them the neo-classical monument that stands next to the old Spanish fort, Torréon de Cojimar.

Note the monument behind Hemingway's left arm

I don't know if there was something displayed originally in the centre of this circular, colonnaded memorial, but in 1962 - just one year after Hemingway's death by suicide in Ketchum, Idaho - a group of his Cuban friends and fellow-fishermen in Cojimar got together and collected old pieces of metal from around the village: chain links, propellers, anchors, and so on. These remnants were then fashioned into a bust of Ernest Hemingway by Cuban sculptor Fernando Boada Marten.

Hemingway friends who organized the Hemingway monument (Fuentes third from left)

A pretty good  likeness of the great man - the Hemingway Monument in Cojimar

After checking out the old fort, the Hemingway Monument, and la Terraza de Cojimar, one can finish one's stay in the village, as we did, by strolling around some of the back-streets. It's interesting to see the styles of the houses and the materials from which they are built. There are also the ubiquitous 1940s and 1950s American cars beside many of the local homes. 

Cojimar back street

Cojimar parish church

Cojimar house

We enjoyed a half-hour walk - eventually working our way back to the taxi we had rented, sitting in the driveway beside La Terraza. It was interesting visiting this former Hemingway haunt. I recommend it to anyone keen to follow the great man's footsteps in Cuba. It's out of the way of the usual spots in Havana, but much quieter, therefore, and more comfortable in the gentle afternoon breeze.

Hemingway's Boat by Paul Hendrickson (2011); 
Lonely Planet Cuba (2011); Hemingway: The Final Years by Michael Reynolds (1999)

Photographs © Clive W. Baugh
(using a Nikon D7000 with a Nikkor 18-105 mm zoom lens)